On Wednesday 16 January 2013, I sat down to talk with one of the numerous helpful Virginia Room staff members, Tad Suiter, about special collections, the role of local history in the public library’s mission statement and library promotion.
The role of collections shifts in libraries and when one thinks about local history within libraries, the realization is that patrons who enter the contemporary Arlington Public Library will be checking out books and movies that are generally popular within the current culture, using the community boards and using computers with their free internet access to do everything from applying for jobs to playing web-based internet games. This role may not be as much about books as it has been. One of the resources that will not be used as often is the rare books and special collections found in Arlington County Library’s Virginia Room – a separate room on the first floor designed to act as a traditional reading room (such as the famous reading room in the Library of Congress’ Jefferson building), a linkage to the rare books vault and archival materials housed and managed to be used ONLY in the reading room. Most of these materials are rare and unique to Arlington and thus would not survive normal circulation cycles.
I asked about the Mission Statement of special collections within the Library and two points were made. <I write, “within the library,” because only a fraction of patrons who walk into the Central Arlington Library also walk into the Virginia Room. The Virginia Room houses the Special Collection – not designed to be circulated for numerous meaningful reasons.> The first point relates the Virginia Room’s collection mission to the APL’s Mission Statement as a whole. The APL’s Mission Statement is “The Arlington Public Library provides access to information, creates connections among people and promotes reading and culture–for every Arlingtonian and other patrons.” The Virginia Room certainly is situated to conform to that mission as the collections are Virginia specific with a niche focus on local history and Arlington history. Another aspect of the mission statement, however, makes mention of “other patrons.” One assumes this is deliberately ambiguous because the APL could never foresee the wide use potential of their special collections for work by scholars or writers from around the nation and world. In particular, Tad Suiter mentioned the excitement expressed by a visitor from Japan who noted unique items in the collection that are about Arlington but may be part of some specific interest within the domain of information collection. Sure, many patrons focus on genealogy or request items about the street they or loved ones lived on in generations past, but these special collections, though local in title, are also used by non-Arlingtonians.
The second point relates to this issue of APL’s mission statement, but subtly redirects the use of the collections – this is the point that local collections are useful to “reach out” beyond the local. In the first place, the Virginia Room houses some of the institutional archives for APL. At first thought, it would seem that local archives are designed for use for APL studies – they are. But a county’s public library archives could just as well be studied in order to explore ideas within a grander scope to reflect trends within county libraries statewide or nationwide. In addition, even though the United States has plenty of diverse lives and diverse life-organizations occurring within its borders, the fact that Arlington is a suburb of Washington, D.C. (a relatively large urban district), means that some aspects of library use and local culture may relate to America generally since DC is where so many important decisions are made and Arlingtonians, many of them, work within these halls of decision. Arlington’s special collections are not just for use by Arligntonians even though the collections are housed within the Virginia Room and the mission statement declares fist the public library is for Arlington patrons. That same statement also declares it is available for other patrons. The above paragraph expresses the potential for extra-local use of special collections.
Truth be told, a theme running through the conversation with Tad Suiter revealed the challenges of promoting special collections. Special Libraries of America certainly believes in promotion of efforts by its members. But even the SLA does not have an “official” definition of what is a special library or special collection. APL has a semi-regular feature on its webpage through which it promotes historical elements found within collections found in the Virginia Room. Tad Suiter suggests he believes patrons would find it very interesting not just to see a piece of history written from artifacts in the collection (a perfectly fine effort for promotion), but also to realize the efforts of digging through the collections and the processing of those items for events, writing, research or other projects. Promotion of libraries runs through much current literature on library use, encouraging wide use and trends in social media. One can even see it pop up regularly in job postings across many fields within librarianship. I suppose this small essay is an act of promotion.
I want to thank Tad Suiter for his time and helpful ideas. The whole staff at the Arlington Public Library is very helpful, but I want to specifically thank the staff of the Virginia Room at this moment. I recommend checking out their special collections, ask questions and maybe send a comment or two here or at Twitter.
Thank you for reading.
I finished reading Michael Twyman’s THE BRITISH LIBRARY GUIDE TO PRINTING: HISTORY AND TECHNIQUES, my first book-length read in this area. My intention with this post is to bring attention to this item and the series because M. Twyman’s writing is ridiculously easy to read and I assume the others are just as easy. I plan to invest time in the rest of these books over the next several months. Some comment will be made here as the history of printing is part of the history of libraries, book arts and rare books and this writer is committed to mention of rare books, special collections (of which rare books and book arts are sub-fields) and libraries. The University of Toronto Press has published several more books in this series. A few of them are: THE BRITISH LIBRARY GUIDE TO BOOKBINDING: HISTORY AND TECHNIQUES by P.J.M. Marks, THE BRITISH LIBRARY GUIDE TO MANUSCRIPT ILLUMINATION: HISTORY AND TECHNIQUES by Christopher De Hamel and THE BRITISH LIBRARY GUIDE TO WRITING AND SCRIPTS: HISTORY AND TECHNIQUES by Michelle P. Brown.
Looking forward to learning more in this area and blog readers should expect mention of these works in the future.